Check out this breathtaking concept video from Bonnier Group, the Swedish media company. It demonstrates an elegant, highly developed magazine interface for the sort of tablet computer that Apple and other companies are said to be working on:

I’ll be first in line when Apple releases a device that can accommodate this sort of interface, which is close to what I’ve been dreaming about for the last couple of years.

[via Peter Kafka of All Things Digital.]

This tablet fantasy from Time Warner is pretty good too, although too busy and multimedia-ish for my magazine tastes.

In November, I roped my pal Clive Thompson into joining me for one of the two AC/DC shows at Madison Square Garden. Though I wasn’t a huge AC/DC fan back when I was a guitar-playing, classic-rocking adolescent, I’ve become sort of obsessed with them in the last few years. Their rhythm section is one of the tightest, most rocking ever—viva Malcolm Young!—and their devotion to pure rock form hasn’t wavered in 35 years. Their new album, Black Ice, is pretty fine, and the lead track, “Rock ’n’ Roll Train,” is one of their best since the early-’80s glory years with producer Mutt Lange, who focused the band’s raw power and shaped the rhythm section into an incredibly tight, earth-shaking combo.

Clive and I didn’t have tickets to the show, which was sold out, and neither of us wanted to pay face value, about $90 each. So we planned to try our luck with the scalpers outside. If we failed, we’d just go drink beer somewhere in the neighborhood. We showed up outside the arena an hour after the doors opened, figuring that scalpers would be eager to get rid of any unsold tickets by then. Our price goal: $60 each. We didn’t know if this was realistic, but we weren’t too worried about it, because drinking beer was a pretty good backup option.

And that’s how we came to buy two counterfeit tickets. First I’ll tell the story of how and why we bought them, and then I’ll show you the ticket.

Neither Clive nor I had been to an arena-rock show in years. We knew we’d have to be on the lookout for ripoffs and scams, but we weren’t sure we’d be able to detect a professionally forged ticket. For all we knew, recent advances in printing technologies had led to a mishmash of ticket styles, with different appearances generated by different printing systems: at the arena, at a record store, at Ticketmaster outlets, and so forth. Had increased computerization led to greater standardization of ticket appearance, or less? We didn’t know. We also wondered whether scalpers had enough design talent to forge tickets convincingly.

[Continue reading "The Unbearable Lightness of a Counterfeit AC/DC Ticket"...]

On a day when the book industry appears to be imploding before our eyes, I’m happy to post this fantastic animated film, which was made to commemorate the 25th anniversary of the British HarperCollins imprint 4th Estate. The film was produced by the London-based design studio Apt, which has been doing lots of terrific work recently.

There’s some behind-the-scenes footage here.

[via Andrew Sullivan.]