Created anonymously by a group of professional animators in about 1929, the silent short Eveready Harton in Buried Treasure is a gleeful exploration of the penetrative arts. The four-and-a-half-minute short follows the travails of the uncomfortably well-endowed title character as he wanders a barren landscape in search of satisfaction. Along the way, he encounters a self-pleasuring maiden, various sexually aroused animals, a surprised husband, and a donkey-humping farmer, whom Harton challenges to a duel. A penis duel.

Eveready Harton in Buried Treasure is one of the earliest examples of an animated porn film. According to its Wikipedia page, several famous animators supposedly made the short for a private party in honor of the pioneering animator Winsor McCay, whose work greatly influenced Walt Disney and is still held in high esteem by Maurice Sendak, Chris Ware, and other luminaries.

This totally isn’t safe for work, so be careful.

I’m pretty sure the intertitles in this copy are not the originals.

The Wikipedia page includes this backstory quote from Disney animator Ward Kimball: “The first porno-cartoon was made in New York. It was called ‘Eveready Harton’ and was made in the late 20’s, silent, of course—by three studios. Each one did a section of it without telling the other studios what they were doing. Studio A finished the first part and gave the last drawing to Studio B. … Involved were Max Fleischer, Paul Terry and the Mutt and Jeff studio. … A couple of guys who were there [at the party] tell me the laughter almost blew the top off the hotel where they were screening it.”

My old pal Rob Harrell—whom I wrote about in this post and this post and this post—is scheduled to be featured in a CBS Evening News segment tomorrow or Thursday, and it’s not just because he’s talented.

Rob and I have been friends since we met in the sixth grade at Binford Middle School in Bloomington, Indiana, our hometown. Even in the sixth grade, he was a precocious illustrator and artist, and he went on to get two or three art degrees. These days he is, among other things, the creator, writer, and illustrator of Big Top, a daily comic strip from Universal Press Syndicate—the company that distributes Doonesbury, The Boondocks, and many other nationally prominent strips. Big Top appears in about 40 papers around the country, including the Boston Herald and the Detroit Free Press. In 2004, The Onion’s culture section had this to say about Big Top: “Rob Harrell possesses a classicist’s sense of comic timing … using panel space as well as any comics-page humorist since, yes, Berkeley Breathed.”

Rob moved with his wife, Amber, to Austin last year, after having lived in Indianapolis since college. A few months ago, he was experiencing constant headaches and some unusual pain behind his right eye, so he went with Amber to have some tests done. Eventually the doctors determined that he had a malignant tumor behind his right eye. Did I mention he’s only 37?

[Continue reading "Something Cool Comes From Cancer"...]

Stumbled onto this cool thing last night: The Portland, Oregon-based artist Michael Paulus has created a series of pieces that imagine the skeletal structures underneath the skin of various cartoon characters, including Hello Kitty, Charlie Brown, Marvin the Martian, and Pikachu. “I decided to take a select few of these popular characters,” Paulus writes, “and render their skeletal systems as I imagine they might resemble if one truly had eye sockets half the size of its head, or fingerless-hands, or feet comprising 60% of its body mass.” The characters themselves are printed on an opaque overlay; the full skeletal structure is revealed when the overlay is lifted. Here’s Betty Boop: