Happy new year, and apologies for the extended break. I was both busy and lazy during the holidays, and now I’m waist-deep in my first-ever New York apartment search. I’ve lived in New York since 1987, but this is the first time I’ve ever actually had to look for a place. After a decade in a rent-stabilized 400-square-foot studio on a great Upper West Side block a few yards from Riverside Park, I’m planning to move downtown in the next month or two, probably to the East Village. I spent most of the weekend racing around looking at apartments in a few downtown neighborhoods, and I actually found a couple of places that I’d be happy to live in. I’m hoping to score one of those places in the next few days.

I have a big backlog of cool links and other material that I’ve been meaning to post. I’m going to be swamped this week, too, but I’m planning to get back to a more regular posting schedule by next weekend.

I’ve got apartments on the brain, so for now I’ll leave you with a link to Architecture of Density, an amazing series of Hong Kong images by the photographer Michael Wolf. Here’s a brief description of the project from Wolf’s site:

One of the most densely populated metropolitan areas in the world, Hong Kong has an overall density of nearly 6,700 people per square kilometer. The majority of its citizens live in flats in high-rise buildings. In Architecture of Density, Wolf investigates these vibrant city blocks, finding a mesmerizing abstraction in the buildings’ facades.

The photographs are on display through February 26 at Robert Koch Gallery in San Francisco.

Via ifilm, here is Kiefer Sutherland in a 24-inspired Japanese TV commercial for an artificial sweetener called Calorie Mate:

Don DeLillo’s America is by far the best website devoted to DeLillo’s work. The site’s proprietor, Curt Gardner, just added a couple of cover scans to the Japanese Editions page. The handful of book covers on that page are pretty excellent and weird. Here is White Noise:

In February I posted about an annotation of the first page of White Noise that was published in the Austin American-Statesman.