About Andrew Hearst

I'm Andrew Hearst, a New York-based writer, editor, designer, musician, and gadabout. You can learn a bit more about me here.

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January 29, 2007
Rip Torn Kicks Norman Mailer's Ass

On the set of the 1970 film Maidstone, Rip Torn assaults Norman Mailer with a hammer, and Mailer retaliates by biting off a piece of Torn’s ear:

Some backstory:

Norman Mailer created a film in the late 60s called MAIDSTONE. He played the part of a famous movie director who is considering a run for the presidency. Rip Torn played his potential assassin. At the end of filming, Rip appeared to get a little too far into his role, and he attacked Mailer on camera with a hammer, drawing blood. Mailer retaliated by viciously biting into Torn’s ear, drawing even more blood. This is the fight. It’s debatable how “surprised” that Mailer was by the attack, but it should be noted that he still had the camera crew hanging around and filming, the day after production had allegedly “ended” on the picture. However, the blood from both men is undeniably real, as are the horrified reactions of Mailer’s children (his wife, on the other hand, seems to be overacting badly).

More backstory here.

[via iFilm.]

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categories: Books, TV and Video

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July 30, 2006
Words Etched in Flesh

Out soon from Harry N. Abrams, Inc.:

'Body Type' by Ina Saltz

From the book description: “Body Type is an eye-opening look into the amazingly creative ways that tattoo artists are utilizing typography. Whereas the majority of tattoo art uses images to convey messages, here the message actually is the image.”

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categories: Art and Design, Books

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Celebrity Bookplates

Via BibliOdyssey, which is bursting with gorgeous graphical stuff, I just discovered Confessions of a Bookplate Junkie, an admirably geeky blog devoted to the history of the bookplate. As the American Society of Bookplate Collectors and Designers explains,

Since the fifteenth century, distinguished artists and their patrons have given serious attention to this art form. It represents a miniature art developed to adorn books and a convenient, individualized way for the book’s owner to be identified. The bookplate, or ex libris, is a label placed on the inside of the front cover of a book.

These celebrity bookplates are apparently from the blogger’s personal collection:

Bing Crosby bookplate

George Cukor bookplate

Noel Coward bookplate

Go here for more of this blogger’s celebrity bookplates.

The website of the Los Angeles-based ReadInk Books contains a bunch of other Hollywood bookplates, along with some historical background about each.

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categories: Art and Design, Books

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April 2, 2006
William F. Buckley Interviews Jack Kerouac

I’ve been finding so much amazing stuff on YouTube the last few weeks. Plugging random famous names into the site’s search field often reveals great obscure clips. Below is a seven-minute Jack Kerouac compilation that contains excerpts from a couple of prominent interviews. The first excerpt is from his 1959 appearance on The Steve Allen Show, wherein Kerouac reads pretentiously from On the Road and Allen apologizes for asking “square questions.” The second excerpt is a brief clip from a late-’60s interview conducted by William F. Buckley, wherein Kerouac looks bloated and awful and complains about “communists” who have criticized him. In between is footage of Walter Cronkite reporting Kerouac’s death on The CBS Evening News in 1969.

[via YouTube member Tarco.]

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categories: Books, TV and Video

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October 2, 2005
Bookforum presents A Night for New Orleans

Next Monday, October 10, the nice people at Bookforum are hosting a Katrina benefit at Cooper Union’s Great Hall. The event will be hosted by Chris Rose of the New Orleans Times-Picayune, and participants will include Donna Tartt, Robert Stone, and Roy Blount Jr. Proceeds will go to the Acadiana Arts Council to benefit “artists, writers, and musicians affected by Hurricane Katrina.” More details here.

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categories: Books

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September 8, 2005
Neil Strauss, Dorky Music Writer Turned World-Class Pussy Hound, Charms the Ladies of The View

Erstwhile New York Times rock critic Neil Strauss appeared on The View last week to promote his new book, The Game: Penetrating the Secret Society of Pickup Artists. The book, published by Judith Regan, no less, chronicles the two years he spent picking the brains of dudes like these so he could learn how to get into the pants of chicks like these. He became very, very good at it. He originally wrote about these experiences in a January 2004 article in the Styles section of The New York Times.

Here’s the footage of Strauss’s seven-minute kaffeeklatsch with the ladies of The View. Alas, Barbara Walters was not on the panel that day.

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categories: Books, TV and Video

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July 22, 2005
Jimmy Page Was My Co-Pilot

In 1985, when I was a sophomore at Bloomington High School South in Bloomington, Indiana, my English teacher gave us one of those assignments that all students dread: an oral report. I was 16 then, with long, Allman Brothers-style hair and a potentially tinnitus-causing obsession with playing loud rock guitar. Sometimes I’d drive home at lunch, five minutes each way, just to play my guitar at bone-crushing volume for 15 minutes before heading back to my boring classes.

Hammer of the Gods first editionMy English teacher’s assignment was an oral report on a book of our choice. I had no trouble selecting a book, because I had just read the definitive work on one of my favorite topics: Led Zeppelin. Stephen Davis’s cheesy Led Zep biography, Hammer of the Gods, had just been published, and I probably read it front to back the day it came out. (I still have my copy, and it’s a first edition!)

To make my report more entertaining—and, possibly, to deflect some of my anxiety about having to speak in front of my classmates, when I might accidentally get, I don’t know, a boner or something—I showed up to school that day with a boombox and a cassette of Led Zeppelin II cued to the first track. When it was my turn to stand before the class, I walked to the front of the room, pressed play on the boombox, and delivered my report to the sounds of “Whole Lotta Love.” I even paused my reading during the guitar solo so everyone could listen to it. Was I a dork? Yes, yes, I was. Did I like to get the Led out? Yes I said yes I did Yes.

My report was a big hit with the class. I still have my hard copy of it, all creased and faded and dog-eared. A couple of times in the last few years I’ve re-created that English-class performance in front of audiences here in New York, complete with the “Whole Lotta Love” accompaniment. The first performance was at one of the great John Hodgman’s Little Gray Book Lectures; the second was at Lindsay Robertson’s inaugural Ritalin Reading in March 2004.

I’ll post the text of the report after the jump.

The picture below was taken in late 1986, during auditions for my school’s battle of the bands. My group was a power trio, and I was the singer and guitarist. We did three songs at that battle of the bands: “Scuttle Buttin’” and “Lovestruck Baby” by Stevie Ray Vaughan (my hero) and “Red House” by Jimi Hendrix. Guess what: We won the damn thing, and there was actually some decent competition. I have this performance on videotape, and it is fun to watch. Don’t ask me to tell you the name of that band, because I won’t tell you. It’s too embarrassing. Anyway, don’t I look like a ROCK STAR? Check out the Led Zep shirt I’m wearing.

Led Zep rules

A few friends who’ve seen this picture tell me that my haircut is a mullet, but I have to disagree. The sides aren’t short enough for it to qualify as a mullet. Am I right, people? I am so right.

(Here is what I look like now, and here is what some of my guitar playing sounds like now.)

[Continue reading "Jimmy Page Was My Co-Pilot"...]

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categories: Books, Music and Audio

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May 20, 2005
Bookforum, Thomas Pynchon ... and Alfred A. Knopf, Streaker

The Summer 2005 issue—no, wait, the “June/July/Aug/Sept 2005” issue—of Bookforum is coming out in a week or so, and it contains a special section on Thomas Pynchon. Check out the section’s stellar list of contributors:

Bookforum, Summer 2005

The man on the cover is Irwin Corey, a loopy comic actor whom Pynchon sent to represent him at the 1974 National Book Awards. When the time came for Pynchon to accept the fiction citation for Gravity’s Rainbow, it was Corey who went onstage and accepted the award from a baffled Ralph Ellison. Corey then delivered a bizarre humdinger of an acceptance speech. You can listen to a short excerpt of it here (Windows Media format). And you can read a transcript of the whole thing here.

The 1974 National Book Awards took place on April 18, a mere two and a half weeks after what is perhaps the most famous streaking incident of all time: On April 2, a streaker named Robert Opel bounded across the stage as David Niven was presenting an award at the 1974 Oscars. Toward the end of his Pynchon acceptance speech, Corey expressed his thanks to “Mr. Knopf, who just ran through the auditorium.” (The transcript indicates that a streaker actually ran across the stage during the ceremony, but I don’t think this is true—I couldn’t find confirmation of it anywhere online. For a couple of minutes, though, I was thinking, “Yes! A streaker! At the National Book Awards! Awesome!” How fucking hilarious would that have been?)

[Side note: According to a website I stumbled onto a few minutes ago, the German term for streaking is Nackerblitz, which translates roughly as “nude lightning.” However, there are only about five Google hits for Nackerblitz, so the word is apparently not widely used.]

Update, May 26: Some content from Bookforum’s summer issue is now online, including part of the Pynchon section.

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categories: Books, Magazines

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May 19, 2005
Don DeLillo in Japan

Don DeLillo’s America is by far the best website devoted to DeLillo’s work. The site’s proprietor, Curt Gardner, just added a couple of cover scans to the Japanese Editions page. The handful of book covers on that page are pretty excellent and weird. Here is White Noise:

White Noise in Japan

In February I posted about an annotation of the first page of White Noise that was published in the Austin American-Statesman.

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categories: Books

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April 2, 2005
Rob Harrell’s Big Top

Last year The Onion’s culture section had this to say about Big Top, my pal Rob Harrell’s nationally syndicated comic strip: “Rob Harrell possesses a classicist’s sense of comic timing … using panel space as well as any comics-page humorist since, yes, Berkeley Breathed.” Andrews McMeel, the publisher of all the Doonesbury collections, just put out the first-ever collection of Big Top strips. My copy arrived from Amazon this week:

Rob Harrell's Big Top

I wrote about Rob a few months ago in one of my first posts. We’ve known each other since middle school, when he was a Bloom County fanatic who amused himself by sketching pneumatic babes and other things in his notebook when he was bored in class. You can read Rob’s daily Big Top strips at ucomics.com.

Also received from Amazon this week: a copy of Mots d’Heures: Gousses, Rames—The d’Antin Manuscript. I’ve owned a xerox of this clever and hilarious book for about 20 years, but I’ve never owned a copy of the actual book. Oddly, my new copy has the appearance of a cheap bootleg: Both the cover and the pages inside were obviously reproduced from a mediocre photocopy of an earlier edition, not from the original plates. Given that the publisher is Penguin, this is kind of surprising. But I’ll be glad to replace my own tattered photocopy with something I can actually file away on a bookshelf.

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March 27, 2005
She Had the Jugs

I just discovered that most of the text of Steve Martin’s out-of-print 1979 book Cruel Shoes is posted on The Compleat Steve, a Steve Martin fansite. I’ve owned a tattered hardcover of this book since the mid-’80s, when, much like these guys, I was an adolescent Steve Martin fanatic:

Cruel Shoes

The book was given to me by a fellow Martin fan named Liz. She apparently had a crush on me, because here is how she inscribed the book:

Hey Andrew!
You sexy guy. You look marvelous. See ya next year. Have fun with Angie in yr.book.
Liz

Cruel Shoes is a collection of short absurdist bits with titles like “Women Without Bones,” “How to Fold Soup,” “What to Say When the Dogs Show Up,” and “The Gift of the Magi Indian Giver.” None of the pieces is more than a few hundred words long. A handful of the chapters, including the title piece, originated with Martin’s standup act; others originally appeared in Playboy and other magazines. I think the book has been out of print since the early ’80s. You can find used copies on Amazon.

“She Had the Jugs” is the sort of piece that made me cackle with glee when I was about 14 or 15. Here it is, in its entirety:

SHE HAD THE JUGS Yes, she was witty; she was intelligent. She was born of high station. She spoke and walked proudly. She was the kind who displayed nobility, who showed style and class. But above all, she had the jugs. Many people called her by her last name; some closer friends had a confidence with her and shared the intimacy of her first name. But to me, she was always “Lady jugs a-plenty.” It is true. She was clever and she was charming, but above all, she had the jugs.

The guy who maintains The Compleat Steve also maintains a blog where he posts news articles about Martin.

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March 17, 2005
Cover-Art Art

Super cool: Someone has written an applet that searches Amazon and then, using cover graphics found in the search, slowly builds an image spelling out the word or words you just searched for. I used Kenzaburo Oe’s last name because it was the first one I thought of with only two letters:

Amaztype

When you’re on the site, you can zoom in on a cover by clicking on it. Clicking on it a second time takes you to the appropriate Amazon page.

[Via a friend on Echo.]

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February 22, 2005
An Annotation of the First Page of White Noise, With Help From Don DeLillo

Don DeLillo

As I mentioned a few weeks ago, Don DeLillo gave a reading at the University of Texas on February 10 to mark the sale of his papers to the university’s Harry Ransom Humanities Research Center. The next day, the Austin American-Statesman reported that DeLillo read from Libra and Underworld, answered a few questions, and then left. Uneventful, but DeLillo isn’t exactly a flamboyant guy.

A few days before the reading, the American-Statesman published something excellent: an annotation of the opening page of White Noise, with details drawn from various drafts of that page found in the author’s papers. The reporter, Jeff Salamon, also interviewed DeLillo for the piece. Some of the information in Salamon’s annotation has long been known to DeLillo observers—e.g., the fact that DeLillo wanted to call the book Panasonic but couldn’t get permission from the Matsushita corporation—but the piece contains a number of specific new details about DeLillo’s writing process.

The American-Statesman’s site has a totally annoying registration process (and the login and password posted on Bug Me Not don’t work anymore). So I will just post the entire thing here, after the jump.

Twelve years after I first read it, White Noise is still my favorite novel. I don’t have a favorite movie or a favorite TV show or a favorite album or a favorite band; I don’t tend to narrow things down quite that much. But I have a favorite novel, and it’s White Noise.

[Continue reading "An Annotation of the First Page of White Noise, With Help From Don DeLillo"...]

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categories: Best Of, Books

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Tom Wolfe on Hunter S. Thompson

“You didn’t have lunch or dinner with Hunter Thompson,” writes Tom Wolfe in today’s Wall Street Journal. “You attended an event at mealtime.”

In the early ’90s, Thompson made a public appearance in my college’s auditorium. It was probably billed as a “speech” or a “lecture,” but mainly it involved Thompson sucking down several pitchers of screwdrivers and rambling incoherently about who knows what. It was highly entertaining. Thompson was joined onstage for part of the event by Jann Wenner, the editor of Rolling Stone. Wenner was decked out in a pink dress shirt and, if I remember correctly, a navy suit jacket. The contrast between Thompson, the unkempt lunatic genius, and Wenner, the tight-sphinctered, pink-shirted businessman, was hilarious. The inebriated crowd practically jeered Wenner offstage.

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February 15, 2005
“Bullshit Is a Greater Enemy of Truth Than Lies Are”

Computer problems the last couple of days, but I think I’ve finally solved them. For today I’ll just call your attention to Scott McLemee’s fine column about On Bullshit, the Princeton philosophy professor Harry Frankfurt’s newly published book. (Frankfurt actually wrote and published On Bullshit some years ago, as Scott explains, but this is the first time it’s been published as a standalone book.) Scott’s column appears in Inside Higher Ed, the new online magazine that is positioning itself as a livelier alternative to The Chronicle of Higher Education. Scott writes:

[Continue reading "“Bullshit Is a Greater Enemy of Truth Than Lies Are”"...]

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February 2, 2005
Don DeLillo, Screenwriter

Game 6

The first film to be made from a Don DeLillo script, Game 6, had its premiere at Sundance a couple of weeks ago. It’s about a playwright and Red Sox fan (played by Michael Keaton) who skips the opening night of his new play to watch the fateful sixth game of the 1986 World Series. Game 6 was shot on a tiny budget by the director Michael Hoffman, and it also stars Robert Downey Jr. and Griffin Dunne. After the film’s Sundance premiere, The Hollywood Reporter had this to say about it:

[Continue reading "Don DeLillo, Screenwriter"...]

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categories: Books, Film

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The d’Antin Manuscript

Mots d'Heures: Gousses, Rames

I think I was about 15 when a family friend turned me on to Luis d’Antin Van Rooten’s extremely clever and hilarious 1967 book Mots d’Heures: Gousses, Rames—The d’Antin Manuscript. The conceit of the book is that it’s an annotated version of an obscure collection of medieval French verse. But it’s actually a homophonic translation of Mother Goose rhymes from English to French. What that means is that Van Rooten translated the sounds of the words, not the words themselves. The resulting “French” versions only make sense as French-accented English. So “Mother Goose Rhymes” becomes “Mots d’Heures: Gousses, Rames”; “Jack and Jill” becomes “Chacun Gille”; and “Peter, Peter, pumpkin eater” becomes “Pis-terre, Pis-terre / Pomme qui n’y terre.” D’Antin’s “translations” use real French words but are utterly nonsensical in French. You don’t have to understand actual French to read d’Antin’s rhymes; you just need a fairly good grasp of French pronunciation rules and an ability to recall Mother Goose. D’Antin’s elaborate, deadpan annotations, in which he purports to extract meaning from the incoherent French, are great parodies of academic pretentiousness. The annotations are amusing even if you don’t know French (I don’t, not really), and I’m sure they’re even funnier if you do.

[Continue reading "The d’Antin Manuscript"...]

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Join Rolf Harris Singing The Court of King Caractacus and Other Fun Songs
Boards of Canada, The Campfire Headphase
Fountains of Wayne, Utopia Parkway
The Postal Service, Give Up
Royksopp, The Understanding
Van Halen I
Don DeLillo, White Noise
Richard Rhodes, The Making of the Atomic Bomb
Robert Caro, The Power Broker
The Portable Nietzsche, edited by Walter Kaufmann
Sidney Cohen, The Beyond Within
Tibor Kalman, Perverse Optimist
Vanity Fair
Book Magazine
Lingua Franca
Civilization magazine
Columbia Journalism Review
American Gentrifier