Check out this incredibly cool Flash app that lets you turn the pages of a magazine in an impressively realistic way. The magazine in question is put out by a clothing company called Mavi Jeans, and it appears to be a Colors-style corporate spinoff. A very elegant use of Flash technology:

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categories: Magazines

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Wow, the 24 post from last week is one of the most-trafficked items I’ve ever posted here. A lot of people obviously find such an analysis to be freakish and obsessive, but honestly, those of us who care about type and design can’t help but notice those sorts of things. Most people don’t even know the difference between a serif font and a sans serif font; naturally many of those people are going to say, as one person did on Dave Barry’s blog, “WTF is he talking about?” The post has been called “astounding” and “rad” and “a great find,” but also “nutty” and “admittedly dull.” And then there’s this comment that was posted on CNet’s blog, which I can’t resist quoting in full:

CNet, you have officially reached the bottom. Not only did you come across this absolutely ridiculous blog posting, but you actually felt the need to torture us by linking us to it and making us think it actually contained even a tiny bit of relevant information. I can never have those few minutes back. I hate you.

Needless to say, I do not want to get a beer with that guy. I’d rather get a beer with Stephen Coles of the excellent site Typographica, who wrote to tell me that the font used for the 24 clock is a commercially available typeface called “LCD,” which you can buy here for $34.50. As you can see, the kerning of the 1’s is built into the font:

I’d also rather get a beer with my pal Lindsay, who wrote to say this: “Finally, something so nerdy that it’s travelled through a worm hole and come out on the other side as cool. … This post is what the internet is FOR.” Right on!

I would also like to call your attention to the fact that Dave Barry has been liveblogging 24 regularly over the last few months, and it’s pretty hilarious.

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categories: Art and Design, TV and Video

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Okay, I am a TOTAL FREAK for having noticed this weird typographic pattern on 24. You have been warned. My discovery of this bizarre typographic anomaly took place in a few steps over the course of several episodes, so bear with me as I explain.

I loved the first season of 24, but I gave up on the show after the second season, because the pulled-out-of-thin-air plot twists, the hammy acting, and the fluid-as-water loyalties of the characters became increasingly maddening. “This show is ridiculous,” I eventually said to myself, perhaps when drunk, because I don’t usually talk to myself. “I refuse to watch it anymore.” But thanks to recommendations from a few enthusiastic friends, I returned to the show late in the fourth season, and now I’m totally hooked again. The fifth season has been fantastically entertaining. The producers have worked out most of the kinks in the format and now know exactly what they’re doing. The show is still ridiculous sometimes, but that’s part of the fun.

A few months ago I began to notice something unusual about the 24 clock—the timer that appears onscreen at regular intervals throughout each episode. It’s modeled on a standard LED clock, the kind you’ll see on the radio next to your bed or the microwave in your kitchen or inside a ticking rogue nuclear weapon once you’ve pulled off the face plate. You know—the standard workaday places. On a typical such clock, each number is rendered within a matrix of two vertical bars on either side and three horizontal bars in the middle. At first glance, the 24 clock appears to be based around exactly that sort of matrix. Here’s a screenshot from last Monday’s episode:

A couple of months ago, I noticed that the 24 clock renders the numeral 1 with a short serif at the top. Here’s another screenshot from last Monday’s episode, with the serif circled:

That serif is a needless typographic flourish. A normal clock wouldn’t have a serif there, and in fact it’s totally illogical for the 24 clock to have one: None of the other numerals show evidence that the LEDs on top are split in half and can render a serif. The LED bars along the top are always solid when used in the other numerals, and the light that illuminates the top bars in the other numerals is consistent and unbroken.

So I noticed this and it amused me, but I didn’t think much of it, because why should the 24 clock have to be logical and believable? Every episode of the show contains a lot of stuff that’s illogical and unbelievable. This typographic inconsistency is no more ridiculous than, say, Jack Bauer sneaking onto a diplomatic flight, hijacking the plane in midair, finding the evidence that implicates the president, forcing the bad-guy copilot to land the plane on a Los Angeles freeway, and then eluding the president’s military goons once the plane comes to a halt on the makeshift runway. To mention just one recent half-hour sequence.

[Continue reading "There Is Something Weird Going on With the Clock on 24"...]

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categories: Art and Design, Best Of, TV and Video

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Remember that spoof cover of Parents magazine I created last year to illustrate the hazards of sloppy cover design? A few months ago, one designer ignored my warning. Here’s the cover of Butterick’s Winter/Holiday 2005 catalog:

The cover is totally real. It was first noticed by a Canadian graphic designer named Nick Frühling (whose blog is excellent, by the way), and then was picked up last month by Veer’s blog, The Skinny.

(Thanks to my former Book colleague Steven McClenning for the tip!)

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categories: Art and Design, Magazines

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